Laurie Blauner

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The Bohemians, a new novel set in New York City in the 1920s, is scheduled for publication in 2013 by Black Heron Press and is now available for pre-order at Amazon.com.

Laurie’s poetry chapbook, Figments (& other occurrences), is scheduled for publication in April 2013 by dancing girl press.

Laurie will read selections from these works at Couth Buzzard Books along with Matt Briggs and Donna Miscolta at 7 pm on Thursday 6 June 2013.

Laurie will also be reading at Elliott Bay Books along with Jerry Gold at 7 pm on Friday 12 July 2013.

Laurie Blauner

The author of six books of poetry, two novels and a novella, Laurie Blauner received an MFA from The University of Montana. Her poetry and fiction have appeared in various publications, including The New Republic, The Nation, The Georgia Review, The Seattle Review, The New Orleans Review, Poetry, and American Poetry Review. She has received an NEA grant, King County Arts Commission, Seattle Arts Commission, Artist Trust, and Centrum grants and awards. Laurie Blauner lives in Seattle, Washington.

Poetry

Other Lives, Owl Creek Press, 1984
Self-Portrait with and Unwilling Landscape, Owl Creek Press, 1989
Children of Gravity, Owl Creek Press, 1995
Facing the Facts, Orchises Press, 2002
All This Could Be Yours, Cherry Grove Collections, 2006
Wrong, Cherry Grove Collections, 2008

Fiction

Somebody, Black Heron Press, 2003
Infinite Kindness, Black Heron Press, 2007
Instructions for Living, Main Street Rag, 2011

Ordering Information

If you order books from Secret Garden, an independent bookstore in my neighborhood here in Seattle, you will receive an AUTOGRAPHED copy.

Laurie’s Artwork

To see some of Laurie’s artwork, click here.

To see more of Laurie’s artwork, click here.

Sample poetry:

What your Body Holds Against You*

could be love in the right proportions. Don't confuse
form and content where a good sense of humor becomes

curves that make rooms loosen around her.
Look for a woman that listens to music

drifting over a lake, hovering like flies, or someone who will
watch the landscape emptied of azaleas under a setting sun.

By forty there is a sideshow of vanities:
the dragon breath you wake to, bones tossed

against your skin like waves, or the flesh that grows
where a waitress tucks her loose change. We measure

time with our lives, counting out the coins
year by year. We all become detectives of broken

hearts in off-season hotels where love and its accoutrements
wait by the roulette wheel for one chance at the big time.

*from Children of Gravity, Owl Creek Press, 1995